Our research work is currently done in "
The study group of the Technology on the deep sense" which is one of the study-groups set up in "
The Society for Art and Science".
We
want gdeep impressionh via Audio-Visual. To accomplish the research and
development of Audio-Visual, any quality measure is indispensable. Our
idea is to get the perceptual adjectives or phrases representing
principal components of the whole adjectives, because deep impression
will be expressed by adjectives. The obtained perceptual phrases are
gfloating atmosphere in the air-like resonanceh and gchest penetrating
impressionh (detailed explanations are described at the footnotes on
the TOP). With the aid of those scales, the research and developments
have been successfully accomplished.
Books |
|
No | Representative books | Publisher | Year/Month | cf. |
1 | Makoto Miyahara and R.Kawada, Editor:H.R.Wu, K.R.Rao,
gImage Quality and Perceptual Coding iChapter 6: Philosophy of Picture
Quality Scale, of " Digital video ",PP.181-223. | Tayler & Francis CRC | 2005, 11/8 | |
| |
Papers |
|
No | Representative papers | Publisher | Year/Month | cf. |
1 | M.Miyahara, K.Kotani and R.AlgaziF "Objective Picture
Quality Scale (PQS) for Image Coding", IEEE TRANSACTIONS ON
COMMUNICATIONS, vol.46, no.9, pp.1215-1226 | IEEE | 1998.9 | |
2 | M.Miyahara, T.Ino, H.Shirai, S.Taniho, R.AlgaziF
"Important Factors to Convey High Order Sensation", IEICE TRANS.
COMMUN, vol.E81-B, no.11, pp.1966-1973 (1998.11). | IEICE | 1998.11 | |
3 | Assessment of Extra High Quality Images using both EEG and Assessment Words on High Order Sensations | IEEE Systems, Man and Cybernetics Society Wp-1.11-6 pp.1289-1294
| 2000.10 | |
4 | The investigation whether hthe inside of Japaneseh are categorized to several group? h | the 2nd International conference on Kansei Engineering, pp.97-102, KEASf08 | 2008.11 | |
5 | Makoto MIYAHA, Minoru MITSUI, Masaki HAYASHI, gA New
Electro Sound Field - An Assessment System Based on Adjectives and a
New Model of Sound Perception -g
| Proceedings of Nicograph International 2014 | 2014, 5/31 | |
| |
Explanation of gdeep senseh
When we see or meet
The Shourinzu (a painting of wood of pine trees in a foggy scenery) by
Hasegawa Touhaku, we Japanese feel something very deep impression in
our inside. During the long time standing against this black]and]white
painting, gwhat have arouse in our insideh is going into this painting,
and when our insides reach to a painted mountain covered by snow, we
are gstate of nothingh whether or not we feel conscious or unconsciou.
Basic
researches; gWhy we are impressed?h or gWhat are moved?h seems to be
unable to discuss. We will try to find any way to communicate each
other taking down fences between engineering, and art, standing the
base on science.